rich nxt is a long time music technology head, drummer, dj and keyboardist. djing led him to be active in his hometown londons underground music scene, playing a part in the rise of the after-hours, gaining lots of experience and knowledge, championing up and coming artists and labels such as dial, oslo, desolat and liebe*detail.

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

nice price deal !!!

justin berkovi delivers 2 heads down mid-tempo techno dance tracks for his art debut. clean, crisp production with thunderous low end characterise both tracks. the title track drive delivers its power via modulating synth stabs, whilst when i throw down commands the dancefloor with its demonic vocal. a classic label debut from one of technos most loved producers.

following up the well received >relapse ep< on machining dreams, dj/producer steven tang presents >mmmmmusic< under his obsolete music technology moniker. the 4-track, 12 inch vinyl single focuses in on melody, which has become the signature sound and of his label, emphasis. upon first listen of the main title track, you will hear a driving tr-808 drum intro, then lush, emotive pads and strings comes in over the top to give the listener that emotional hook. setting off the track is the funky synth bass voice sounding , >mmmmmusic!< backing the title track is the stripped down >reprise version< and >chicago skyways pay toll mix<, where the synth bass voice is extracted and cut up into skyways frenetic drum programming style reminiscent of steve poindexters >work that motherfucker<. also includes the track, >distance.<

welcome back to the underground is a limited pressing dj swiss knife essential for every field with : the ultimate >disco night< edit, filtered by hundred processors from ssls to digital t-racks and focusing on the house music roots parts of the song, pure feeling.a totally unknown house track remix. cleaned and converted with the latest technology, this is an extended straight 124 bpm real 4x4 tool here, completely exclusive, never been released before. high demand on this.on the b side a dj tool cut of >stebenis theme< that is circulating in detroit and paris since quite a while and inspired a well known existing white label. ranging from sound sculpture morphed to proto afro dub house, 125 bpm, resync edit at 1/32 bar, harmonized fx & drumkit to the original beat. on b2 a very special slow house/nu disco version of >adventures in paradise< melted to samp les including the same theme with a backside 80s funk clap especial : a diggers heaven. the vinyl cover is hand stamped with the a logo designed by a famous street art painter.

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

remixes from label owner kirk degiorgio and dutch maestro tj kong (erwin van moll aka max404) of >rapture< - the debut release from the different worlds duo claude young & takasi nakajima. degiorgios mix heads straight for the dancefloors peak time, whilst tj kong goes for a euphoric melodic take that is perfect for those early morning sets with its uplifting feel and gorgeous breakdown.

fresh from his triumphant return to detroits movement festival, where by all accounts he delivered the set of the weekend, claude young teams up with his different world co-hort takasi nakajima for their debut release on art. the original is no-nonsense but thoughtful future-tech, with plenty of analog modulations for the heads - and dance-floor thump for the party people. on the flip, the legendary ian o brien delivers a typically deep, detroit tinged remix with trademark warm bass and glistening top lines. ian planned to do one more mix-down of his remix when the huge earthquake earlier this year pretty much demolished his tokyo-based studio.

art-nr2 is the third release in art records remaster series following on from carl craigs >psyche/bfc< and kirk degiorgios >nairobi ep<. promenade eleven lives up to the billing of those illustrious predecessors, being a reverse-engineered remake of >night on the promenade< which originally appeared in limited quantities on the new religion label in 2006 under the name >super-a-loof<.
labelled at the time as a successor to classic techno tracks such as derrick mays >the beginning< and rolandos >knights of the jaguar<, this re-make will finally bring it to the wider audience it deserves via the art label.
promenade eleven (original mix) adheres faithfully to the original arrangement but has been re-recorded and totally remixed from the ground-up for a modern club sound.

superdisko recordings was founded by tobias oliver, starting up in 2008 with the >sender/receiver< release from viennese underground stars smacs and patrick kong. we are proud and happy to bring fresh and fine techno tunes from austria into the world. superdisko means super sounds for the disko !

volume 3 from eargasmics thoughts from chicago series features 2 amazing tracks on a limited 7 inch. side a sees bjaks nujazz group velophone getting an ultra deep beatdown mix of we re all the same from daryl cura. steven tang as obsolete music technology kills it with the techd out incite.

steve tang & m dreams are on a roll, with wax dropping hot & thick, on steel. tang represents a retro-futurist vision of post-acid chicago house, all made with vintage tech & dripping with machine soul.

nice price deal !!! as 2010 draws to a close, low res records makes one last shot at the buzzer with a veritable milestone of mayhem - the 23rd enigma in the shape of a new and long overdue dj adjust record. >release the sharks< is four tracks of abusive speaker therapy constructed in the spirit of recreational headbanging most would call haptic technology for heshers. possessing the demonstrative power of potential that pokes at the ear pupils, the new adjust record is a leaning tower of rhythmic inconsequentials that cast a dark shadow over the deliberate composition of controlled chaos.

episode two on touched by records sees the introduction of yet another talented youngster understate with his track >technology< backed with a remix from d&bs top-boy zero tolerance! yet another great record from this up and coming drum & bass label.

already tipped to be one of the biggest club tracks of 2010, from berlin to ibiza to detroit - >exodus earth< continues arts new dance division series in style. hear this one bounce off the walls everywhere this summer & beyond.

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

4 tracks by bass junkie and the dexorzist!!

played by karotte !!! with his newest ep on wagon repair (ghosts in the ai - wag058), mathew jonson looks to both the past and future to create a stunning release. track 1 - ghosts in the ai - is the first solo production that was made in wagon repairs new berlin studios. finally, in a real place to work, and with a lot of new gear to play with, mathew focuses on evoking both the future and technology to wonderful affect. track 2 - technology - comes from mathews past as it was created around the same time as tracks like octagon came out on iiwii. originally, it was going to be the first cut on his debut album that he was planning to release. on the day that mathew was looking for a b-side track for the ghosts in the ai ep, his brother, nathan (hrdvsion), played it over the phone asking him why he had not released it, as it was one of nathans favourites. it worked much better than the other track that was going to be on here so thanks, hrdvsion. track 3 - the alchemist - comes from mathews involvement this summer producing the music score for the old classic silent film faust, which was screened, complete with cobblestone jazz playing the score live, at the 2009 timewarp festival. the alchemist was written for the scene when faust is working in his laboratory then walks out into the snow to summon the devil to help with his work. a fitting piece indeed!

art (applied rhythmic technology) finally returns! after collaborating with the now defunct new religion label for most of the past decade, art productions once again have their own imprint. art 8 sees label founder and owner kirk degiorgio with a nice 3-tracker covering peak-time club material all the way to his trademark, deep emotional electronica. art records returns when we need it most!

cover version of the big milow hit!! 2dirty, dj rebel and sr mixes!!

another release by reducer aka inigo kennedy on his instillation imprint. 4 energetic techno-tracks, reduced to maximum functionality.

ltd re-press - early 90s carl craig detroit classic

transmitting from the heart of the american midwest, skoozbot has rapidly gained a reputation for insightful techno futurism. his main preoccupation focuses on the interaction between humans and technology, especially the ability to capture split second emotions, recreate them using electronic sounds and then play them out over a six minute track, letting them evolve naturally albeit in sometimes unexpected directions. the rising sap contains a selection of tracks written during the transition from winter to spring as life returns to the surface of the planet bringing with it the most vibrant sensory experiences. in a sense these colours, fragrances and forms allow us to transcend time through memories and association and skoozbot is driven to capture these precious fragments and examine them from all angles in the suspended animation that the minimal techno environment so perfectly creates.

chicago styled jack tech with low bubbling basslines and detroitish soundscapes

electrofied uk prime techno incl great pedro delgardo remix

deeper detroit electro traxv !!

another stopmpin techhouse infected proggy tune

very limited, one-sided, jazzy house release from kenny dixon jr. aka moodymann. horn stabs aplenty and enough drum breaks to play out at your local speakeasy. first kdj 12 inch release in 2 years. all kdj releases are instant collectables and very sought after

cool old skool detroit sounding tech tracks

classic gosub electro trax with low slung, modulated bass lines, off key pads and metallic percussion styles.. all tracks produced live using strictly ancient electrode technology

at the time of its original release in 1993, detroit techno producer carl craig was known mostly to a small circle of collectors in europe. his early releases on transmat and fragile had become cult classics on the techno underground. these were followed by a series of stunning releases on his co-owned retroactive label. 1993 saw carl launch his planet e label and he released an ep by 69 followed by an ep of material by art owner kirk degiorgio (future/past) and ed handley of the black dog (balil). it return it was agreed carl would record an ep for art - which became art 3. the new recordings included a dance floor stomper - >chicken noodle soup< and typically moody down-tempo grower >how the west was won< and an ambient end-piece >sleep<...

run by mike humphries, the pounding uk techno label retunrs with more moving technology with the bosnian dj mika !!!!

excellent detroit tracks from belgium composed from the atlante group and produced by axim forces !!

how to make sense of a window aka hrdvsion & lee van dowski ! the 2 hottest producers of the moment jam together in a virtual studio over the ocean , lee pressureful minimal tek vs. nathan post technoid feeling . complex rhythms structures ,spaced out synths, weirds bleeps , all you need to get high after the after party .

completely remastered and reworked by the detroit mastermind, these killers have never been available on vinyl before

strong detroit techno ep..

nice price deal !!! hardstyle stormer by l cominato !

full blown + drivin electro bass trax

brill detroitish slammin techphunk trax!

klasse nu break lp !!

back in stock.. looptech 4 tracker

mystery metal

debut ep

almost otherworldly in its vastness and serene beauty, many musicians have drawn from the well of inspiration that is arizona’s sonoran desert, but few are quite as accomplished or prolific as steve roach. an ambient pathfinder and electronic innovator, his back catalogue as vast as those breathtaking vistas – sonic renderings of arid landscapes littered with saguaro cacti are found in good company alongside didgeridoo-focused experiments and ethereal drifts that navigate the event horizon, between the brilliance of space and a black abyss.
reminiscent of philip glass’ minimalism and the kosmische stylings of tangerine dream, ‘skeleton keys’ seemed to fall somewhere between the two. conjuring expansive meditations amongst the impossible tangle of wires that dangle from his apparatus, roach opens portals from the grand canyon state into a cluster of newborn stars with intricate, intelligent sequencing and modular synthesis.
recorded between 2005 and 2015 from roach’s famed timeroom and timehouse studios, the album was fully realized through advancements in technology, specifically, synthesizers.com’s large format analog modular sequencer. organic, fluid and intuitively kneaded into his spooling soundscapes, it’s now to be committed to cassette for the first time, bridging the synaptic gap with a new ‘expanded’ version that elongates the original 74-minute duration.